Wednesday, 10 April 2013

Glazing and First Glaze Firing

Glazing Bird Bowls

Making Glazes and Glazing Pots.

Since my last blog post I’ve been busy making glazes ready to test them out in the kiln. I prefer making my own glazes from scratch using raw materials rather than buying them ready-made. Knowing what ingredients go into each glaze gives me a certain amount of control over the results. It’s also very satisfying knowing you made the glaze entirely yourself: it feels more personal.

The photo montage above features a batch of my bisque-fired pots being glazed ready for glaze firing. Most of the pots shown are my bird bowls in two different sizes (small and large). As you can see the glazes are quite odd looking in their raw state: in fact they’re often completely different in colour to the final fired result. One is my standard white matt glaze - which happens to look pure white in the raw state. But the other one – shown here highlighting the bird-tail handles - has a rusty colour at this stage, which changes to glossy blue/black when fired.

Once all the pots have dried out for a few days they can be glaze fired.


First Glaze Firing.

Actually, I can’t believe I haven’t already blogged about this yet! I did my first glaze firing in my new kiln about three weeks ago. Long story short, it was an incredibly stressful day. Not least because about eight hours in I made the mistake of fiddling with the control panel and accidentally turned the whole thing of! Luckily I somehow retained enough composure to quickly tap in an emergency program to finish the firing before the temperature started to drop. But the less said about that the better…

Well, next day (a full 24 hours after switch off) the temperature had cooled down enough to risk ‘cracking the kiln’. Bearing in mind the ludicrous mistake I made the day before, I was simply incapable of calling it. I decided either it was going to be a complete disaster (glazes running everywhere, pots ruined – the works) or a total success. Luckily it was the latter! In fact I unpacked the kiln muttering to myself over and over that I couldn’t believe it had worked. Every single pot came out perfect! Both of my glazes worked beautifully and I was incredibly pleased with the results. But I’ve learned my lesson. I won’t be fiddling with the control panel ever again!

Cracking the Kiln!

Today I took some new up-to-date photos and listed some of my small white bird bowls here in my Folksy and Etsy shops. Hope you like them!

Small Bird Bowls

Thursday, 14 March 2013

Candleholders Revisited


The kiln is on again today – another bisque. It was infinitely easier to pack this time round and for some reason seems to have taken no time at all to fire. Such is life with pots! But anyway, while the kiln is clicking away in the background I thought I’d catch up with some blogging.

A theme seems to have developed over the course of this year so far. In January I blogged about a small batch of hand-thrown candleholders I was commissioned to make. These also popped up in photographs I took of my first bisque firing in my kiln: both as pre-fired and post-fired pots. So it seems only natural I should blog about them again as a finished product.


I hope you’ll agree they’ve come out beautifully! I decorated them in two different glaze styles. One of these was using two glazes on the same pot: a deep honey brown glaze for the body with a small highlight of blue/grey on the handle. The other style was an all-over design using an olive green ‘wood ash’ glaze. I’ve already sold all the brown ones but the ‘wood ash’ ones are available for sale in both my Folksy Shop and my Etsy Shop as of today.

As I suspected, I ended up keeping one of these candleholders for myself….




Thursday, 21 February 2013

First Bisque Firing

Some little oxide/slip test tiles drying ready for the first bisque.

A few weeks ago I did my first bisque fire in my new kiln! What a big day. Although it actually it took three days…

DAY ONE:

Packing the kiln wasn’t as easy as it should have been. If I had to make a complaint about my (otherwise lovely!) new kiln, it would be the placing of the thermocouple.

The thermocouple is the device that records the temperature inside the kiln. It sticks out beyond the inside kiln wall (which is normal) but for some reason it’s been placed quite low down (where ‘logic’ would suggest it should be placed at least a third or half way up). Well anyway, the really annoying thing is the positioning is in EXACTLY the most inconvenient place for putting shelves!

Kiln shelves or ‘batts’ are supposed to be positioned away from the thermocouple – at least 2.5 cm above or below - because if placed too close they can damage it when they shrink and expand. Shelves also interfere with the temperature reading because they retain cold and heat more than their surroundings.

Shelf supports and three of the four shelves packed. The offending thermocouple can be seen in the top right photo.

Now here’s the thing. The shelf supports I bought as a ‘kiln set’ come in only two sizes: one short and one a bit taller. They can be stacked on top of each other to get different heights between shelves. So far so good. I currently have only four shelves (one of which is slightly thinner than the others!) and it was recommended to me not to exceed four because of the sheer weight of stuff in a firing. Shelves also have to be placed in a way to give pots enough room 'above their heads' so to speak. Also, for my first bisque I only had enough pots to just fill a kiln: and most of these were fairly similar heights...

Anyway, long story short and taking into account all these little variables (not to mention how heavy and awkward everything is!), let’s just say that Maths, Physics and the Universe were against me: because WHICHEVER combination I tried I could not get my first shelf packed without that infuriating thermocouple getting in the way! Either I had to make a tiny, low shelf at the bottom that could only take flat pieces (which would leave half the kiln empty above the top shelf) or I had to make a ‘huge’ gap on the bottom shelf that teetered on a long column of supports.

In the end I packed the kiln TWICE in two totally different ways, eventually plumping for the ‘huge teetering’ design - even though it made me feel really nervous because of all the weight I had to stack on top. I can only conclude that manufacturers never use the stuff they make…


DAY TWO:

I can tell you that I was way too tired to turn the thing on after all that! So I just closed the lid and decided to get up first thing next day to do the firing. Being a brand new kiln, it’s better to kiln-sit a first bisque to see how it behaves; which is why I decided to fire during the daytime (rather than put the kiln on overnight for a cheaper electricity rate). You can imagine that most of the day was spent popping in and out of the ‘kiln room’ to check the temperature and see if I’d programmed the controller properly.


Bungs and temperature on control panel (not long after end of firing).


At around 500ºC to 600ºC is the usual time for ‘putting in the bungs’. There are three holes in my kiln: two are vents and the third is a chimney (which I don’t use). These holes let out the steam generated from the last remaining bits of water being burnt off from inside the pots.

My kiln came with two ceramic bungs to plug up the holes, but I had to make a third one from an old piece of firebrick to block the chimney vent. I picked up a tip off the internet (or read it somewhere) that placing a mirror over a vent will help you to check if all the moisture has gone. Well I did this and I was still getting LOADS of condensation even after 700ºC.

Maybe this was because one of the shelves was new and hadn’t been ‘first fired’ yet. Or maybe there was just loads of moisture in the pots or generally in the kiln room (it had rained forever in the weeks beforehand). As this was my first bisque I really didn’t want to risk pots exploding everywhere so I waited until 770ºC when there was absolutely no steam at all before I put in all the bungs.

For anyone interested, my firing schedule was as follows:

First Ramp: 100ºC/hour to top temp 500ºC
Second Ramp: 200ºC/hour to top temp 900ºC
Third Ramp: 100ºC/hour to top temp 1000ºC
End

In other words I fired up to 1000ºC in 8 hours. Started at 7am and ended (everything switched off) by 3pm.


DAY THREE:

I thought I would be nervous, impatient or over-excited waiting for the kiln to cool. But by the third day I was pretty blasé about the whole thing: probably because I felt exhausted! Also I suppose I knew there was nothing I could do about it but wait and see.

I left the kiln to cool for exactly 24 hours: so at 3pm I checked the temperature. It was 60ºC - which is easily cool enough to risk cracking the kiln!  So I opened the lid…


Open sesame - top shelf of bisque pots.

And success! The top shelf looked perfect. All the little pink pots looked back up at me, all intact, and all looking like they were supposed to look. There was a bit of a crack in the kiln lid however and some kiln brick had dusted down onto one of my pots. This may prove annoying in the future come glaze firing…however, otherwise all looked well.

I emptied the kiln in stages, letting each shelf of pots cool for about an hour in-between, as they were still pretty hot the further down I went. I was also feeling a bit tired and wanted to unload carefully in case I dropped anything or did my back in leaning over the kiln! So by the time I had everything out it was getting dark.

I’m happy to say ALL my pots and every single piece I put in there (58 pieces in total) came out looking and feeling perfect – no blowouts or breakages at all – which is excellent news. Since then I’ve been glazing them too and they’ve all been soaking up the glazes properly. I’ve yet to see the results of a glaze firing, but all in all I’m very happy with my first bisque. And aside from the ridiculously annoying thermocouple and that little crack appearing, I’m really pleased with my kiln so far too.


Thursday, 17 January 2013

Candleholders and Cold Clay Mornings...


Keeping warm in the winter – especially when there’s snow in the air – is tricky at the best of times. So just imagine what it’s like trying to throw pots! I always make sure I have plenty of hot water when I’m throwing – In fact it’s the first thing I do in the studio after putting on my overalls; boil the kettle for some piping hot water. But there’s no amount of comfort that can prepare you for the next stage. It’s difficult to describe just how shocking it is to plunge your bare forearms into a cold, damp plastic bag and wire off a slab of stoneware! Even if the room itself is warm enough to work in, the clay remains bone-chillingly cold in this sort of weather…

However, the show must go on! And recently (since Boxing Day in fact) I’ve been throwing regularly to try to re-stock on pots. Christmas was very good for me, but as a result I have almost nothing in stock except a few pots here and there. So I’m steadily working through a huge list of ‘priority pots’ (which at the moment feels like everything I’ve ever made!)

But it’s always good to try something new too; to keep things fresh. Above is a photo of a new design I made last week. I’ve always wanted to make candleholders but never seemed to get around to trying them out. So when I received a request recently for two candleholders with handles, I decided to have a go right away and made a small batch of six. I’m very pleased with them actually and they were fun to make too. I made them in one piece; a bit like throwing a lid with a knob. I threw the flat ‘saucer’ part first, leaving a lump of clay in the middle which I then pulled upwards into the candle ‘bowl’. Next day I gave the base a quick clean and added a small handle for carrying. And I’m looking forward to seeing how they come out – because I might be tempted to keep one for myself…