Friday, 7 April 2017

Setting Up the New Studio

New Shelves (and Brackets!) in the Kiln Shed

It's been a busy few months setting up the new studio. In fact so much has been happening I'm not sure where to begin blogging about it! I also didn't document the process - or progress - very well, so I don't have many photos. But here's the short version of everything that's been happening.

I began setting up the studio in January. The most important thing was getting a new space for the kiln. My poor kiln was stored in the garden shed for three months wrapped in bubblewrap and tarpaulin to keep him warm and dry. Luckily the winter wasn't harsh, so in January a new kiln room could be built ready for the electrics to be installed. The Electrician was booked for the 15th of Feb, which meant Valentine's Day (the day before!) was spent preparing the new space and moving the kiln into situ.

By the way, I don't recommend spending Valentine's Day with just two of you trying to move a 17 stone kiln out of one shed into another over soft mud using improvised duckboards on a steep gradient! Luckily there was only one injury - me. I crushed the palm of my hand between the kiln and the door frame, leaving a lovely big bruise for a week. But at least the kiln was installed safe and sound!

The Kiln in its New Home - Pouring Bowl Sets Stacked for Bisque

Anyway, the kiln room is now officially up and running with some shelves/ware boards (or at least brackets for future shelves!). I also treated my kiln batts to a good clean and a fresh coat of batt wash (pictured drying out below) which I usually do once a year at the start of the new year.

Panorama of One Half of the Main Studio - Kiln Batts Drying Out

In the meantime I also made some pots of course. After being featured in Landscape Magazine, most of the pots I decided to make were custom order pouring bowl sets - as well as a few staple pots like modern pourers. This was ideal really, not only because it meant the kiln was earning its keep, but (as the forms are so well known to me) it also made it easier to get back into the flow of throwing after a break over Christmas.


Freshly Thrown Bowls on Batts - These Became Berry Bowls

In fact, it was a good idea all round to stick to familiar pots I knew how to make and I'd recommend it for a first firing in a new studio. It meant I could quickly plan how to pack the bisque kiln (which pots go where) as I've done it so many times before. It also helped with glazing too. Apart from one big bowl which I glazed in Aqua, I chose to make pots using just my white glaze so I only had to prepare two tubs - there's nothing worse than returning to an old glaze that's been quietly solidifying into an impossible cake at the bottom for three months! Also, the last thing I wanted to do was 'creative glazing' when I didn't even know if the kiln would work. So instead, I tried to keep things as simple and practical as possible.

Pouring Bowl Sets Drying

As for the rest of the studio, things are still 'ad hoc'. It's a work in progress. Things are currently 'in a place', but not necessarily in the ideal place. It's actually quite disorientating working in a new space - even when making familiar pots. Nothing is quite where you thought to remember to put it - if you get my meaning! I'd sit myself down at the wheel thinking I was ready to start when I'd realise I'd forgotten to get something basic - like water. Oh well, I'm sure it will all slot in to place eventually. But at the moment there is still so much to plan and do...

RESULTS...

By the end of March I fired the kiln for its first bisque and also its first glaze! I'm delighted to report that everything went perfectly! The bisque was perfect, the glazing all went well and the glaze firing was perfect too. It was such a relief. It had been on my mind for about a year since deciding to move house - worrying if the kiln would be OK...

Here's a few photos of the pots that came out - my first pots in my new studio.




Since then I've bought some new bags of clay and I'm ready to make more pots and fire more kilns! (Fingers crossed!)

Friday, 3 February 2017

LandScape Magazine Feature: Pouring Bowls and Pancake Day


I'm absolutely thrilled to be featured in Jan/Feb 2017 issue of LandScape Magazine! You can find a photo of me holding my pouring bowl set on page 41 as part of an editorial for inspiring seasonal ideas and recipes for the kitchen.




Pancake Day isn't far away: it's the 28th of February this year, and my bowls are great for making small batches of batter as well as all sorts of other culinary uses! The small 'drizzle' bowl is perfect for drizzling oil (hence the name...) or for dipping sauces; and the larger pouring bowl comes in very handy for making scrambled eggs.




My pouring bowls are available as a set of two bowls (one small and one large) for £30.00. At the time of writing I've sold out of current stock, but they're available as a Made to Order custom listing in both my Etsy and Folksy shops (making time approx 10-12 weeks).

I really enjoyed this issue of LandScape Magazine which has articles on the British countryside, cooking and recipe ideas as well as features on crafts - especially traditional ones. So it's just my cup of tea! And it makes a really lovely start to the year to be featured - so thank you!


Sunday, 11 December 2016

Christmas Tea-light Holders


On the last day of November we had a lovely frosty morning. So I popped into the garden quick with my camera to try to get some festive photos.



These Christmas tea-light holders with stars are made with speckled stoneware clay. On the handle they feature handmade beads made from porcelain and black clay. And to give them a seasonal touch, some gorgeous red glass beads, which are handmade too by my friend Anna Hayward.




Tea-light holders are not always easy to photograph. It's tricky to get them to look as cosy and magical as they are in real life whilst still trying to keep them in focus. Here's my attempt to show how cosy they can are in the dark too - they cast nice little stars on their surroundings.



Anyway, they're vailable in my Folksy Shop here! Merry Crimbles!


Monday, 7 November 2016

New Home, New Studio - and Christmas Crafts at Quarr again...

Handmade Stoneware Cottages

In case anyone was wondering where I've been for the past six months, I've moved house! In my books, that's a really good excuse for not posting on my blog since April. They say, (whoever 'they' are) that moving house is one of the most stressful things you can do. And I agree. But I'd have to say that moving house AND moving pottery studio adds a little cherry on top of the proceedings...

But we're here now. And all is well. In fact all is very well indeed. We're absolutely thrilled, tickled pink and chuffed to be in our new home - and we're settling in nicely.

As for pots. Well, I've got a brand new studio space. But it's in such a mess at the moment I can't possibly show any photos. It's full of unpacked boxes, bubblewrap, tubs of glaze and general studio equipment all piled on top of each other. And the kiln is packed away and unplugged and currently out of use until further notice. So there's plenty to do and it's very exciting times.

In the meantime, I thought I'd say hello and touch base as they say. Mostly to say yes, I am still here! But also to say it's that time again...

I'm exhibiting at Quarr Abbey for our annual Christmas Crafts show. So if you're on the Isle of Wight pop along if you can - click on the photo below for exhibition details.

Bye for now!