Saturday, 7 July 2018

In the Studio: New Chalkboard

Throwing Berry Bowls

Ah, the ubiquitous chalkboard! In my day we called them blackboards, but I suppose that reminds people too much of school. So chalkboard it is!

Ever since my old notice board (a pin and cork affair) fell off the wall onto a batch of freshly thrown jugs (yes, that really did happen) I've been thinking about an alternative system. The obvious choice is a trendy chalkboard - although I'm not sure being trendy is necessary in a studio. But being functional is, and applying chalkboard paint straight onto the wall at least guarantees that nothing can now fall on any freshly made pots.

Unless of course it's chalk. But as all potters know, chalk is essentially Whiting (a glaze ingredient) so I'm not too worried about the odd bit of chalk dust sprinkling around the studio.

Stages of Making Chalkboard

I actually enjoyed making this chalkboard. It's very easy to do - just a bit of masking tape to mark the area. I used a brush instead of a roller because it's quicker to just open the tin and go. I used two coats and you can see all the stages in the composite photo above. Peeling the masking tape off at the end was hugely satisfying too. 

Anyway, I recommend one of these if you have a studio that needs a space for writing short messages to yourself that are constantly changing. Below you can see I'm using it to start making up a glaze - the recipe is on the board above and can be wiped out as each ingredient goes in. Perfect for keeping track.

Glazing with New Chalkboard

Tuesday, 15 May 2018

This Week I Will Be Mostly...Glazing.

This week it's all about glazing. In fact I have plenty of glazing to do because I have enough bisque fired pots to fire two glaze kilns (which I plan to fire next week - all being well of course).

In the photo above you can see the kiln shed as it was a week or so ago -with pots waiting to be fired in the bisque kiln. And below are a few last minute shelf fillers - some tiny stoneware cottages, in a mixture of stoneware and black clays.

After I fire a kiln I always leave it to cool for a whole day in between. This makes sure all the pots are cooled down to 'room temperature' before I crack it open. Even so, they can still ping with the temperature change and make noises! I cracked this bisque kiln open last Friday: and below shows the kiln shed after I've opened and unpacked everything.

You can pack more pots into a bisque firing than into a glaze. In a bisque kiln the pots can touch each other and be stacked, but in a glaze they can't. So I already had some 'spare' bisque fired pots left over from the last firing. And this is why I've got two glaze kiln's worth of pots to glaze this week.

As you can see in the photo above and below there's a variety of small batches here. I've discovered that small batching in this way makes the best economical use of my kiln. Over time you get to know how many pots will fit onto each shelf and in what combinations. Even so, I still scribble a small 'floor plan' of each kiln shelf for each glaze kiln just to make sure everything will fit. There's nothing worse than having a couple of glazed pots left over which you can't fit in!

Anyway, I hope you enjoy these photos. My studio is currently a mess of glazing buckets, sponges and sieves! And there's still plenty of pots left to do...

Sunday, 25 March 2018

Photo Shoot at Home in the Kitchen

When it comes to taking photos of pots, my style of photography for the past ten years or so has favoured a plain white or minimalist background. I like the simple look of this style so it's always been a 'go to' choice for me. Also magazines prefer to use such images when publishing a feature.

But it does have drawbacks. The main one is that people can't tell at a glance how big or small a pot is. This is a concern when some of my pots might look exactly the same but come in different sizes - like my modern pourer jugs, bird tail bowls and pouring bowls. Also, some of my pots (like the garlic grater bowls for instance) don't translate very well on a plain white background. Some pots just need a bit more visual explanation!

So recently I decided I needed to do a photo shoot using 'styled' settings to give some of my pots a context. The setting I chose was my kitchen at home. Most of my pots are kitchenware or food related in some way, so it seemed an obvious choice.

Luckily there's enough daylight coming in through the kitchen window in the morning to allow me to take photos without the need for any additional lighting. I do have a reflector though (made from aluminium foil wrapped over a piece of cardboard) to help kick back some light into the shadows. I just prop it up where I need it.

And talking of props...sometimes this is the best part of planning a shoot. In this selection of photos I have some new props to play with. They include an old wooden board which I've painted using pale grey emulsion on one side. This board is movable so it can be used both as a surface or a backdrop for pots (as seen in the photo at the top of this post).

The unpainted wooden surface in the rest of these photos is actually my normal kitchen table and the little chopping board is one I use all the time for preparing food (it's handmade by CottageCoppicing). A jar of local honey, some garlic bulbs (also from the Isle of Wight) and other food props all help to set the scene. I'm hoping these photos will give some idea of scale and show the pots 'in action'.

Anyway, I hope you enjoy the new photos. As always, these pots are available to purchase from my Etsy and Folksy shops. Thanks for reading!

Tuesday, 30 January 2018

Spring Cleaning in the Studio

Snowdrops in the garden

January is nearly over and it looks like Spring is on its way already - as you can see from the lovely snowdrops in my garden.

I've been doing a bit of Spring Cleaning. I've got a few custom orders to make so it's nice to start the New Year fresh with a clean studio. I'm quite a tidy potter (I clean as I go!) because I find it difficult to work when things are messy. So the floor, shelves and wheel needed only a wipe over to get them back to feeling brand new.

Pottery Tools

I also like to clean and sort through all my throwing and turning tools once in a while. I keep them in an old vintage wooden cutlery tray which has a handle in the centre for moving them about in one go. This box normally sits right next to me on the wheel so the whole lot gets covered in splats of clay during throwing.

As you can see in the photos, they've all been given a good clean and are (obsessively?) arranged into separate sections - throwing tools, turning tools, wooden modelling tools, kidneys, knives... I know some potters might think this is unnecessary. But I find it helps enormously to always know where the right tool is kept and also that it's going to be clean and ready to use when you need it.

Throwing Tools and Turning Tools

Once the studio has had a Spring Clean, I find it useful at this time of year to do a complete stock take. This means checking through everything I need for the pottery business including things like glaze materials, stationery items and mailing supplies. And it's also a good time to get up-to-date with all my reclaim clay which can easily build up. So now all my slop buckets are empty and ready for throwing new pots.

As for finished pots, I'm pretty low on these at the moment. Most of the pots from my last glaze kiln (which I fired on Christmas Eve and opened on Boxing Day!) have already gone to local galleries and suppliers as New Year stock. So my on-line shops are currently very sparse. But I've made a long list of pots to make - most of which are my standard ware. As you can see in the photos below, I've already made a start throwing a small batch of jugs, but I'm keen to try some new pot ideas too - hopefully you'll get to see them soon!

Small Batch of Jugs